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House of Taylor: His Annual Exhibition of Men, Women and Bugs (thepoliticker.observer)
Gossamer Gallants. (Courtesy Paul Taylor Dance Company)
Who could have guessed that what Paul Taylor needed was a redhead? He recently
found one (or she found him); her name is** **Heather McGinley, and she’s been
blazing through the current season at the Koch—and not just because of her
flamboyant hair. The Taylor Company has an astounding variety of talented
leading women: Amy Young, who has grown at a steady pace into a dominating
presence—lyrical, composed, radiant, except when she’s powerful, haunting and,
in _Big Bertha_, malevolent, evil, grotesque; Parisa Khobdeh, ardent, exotic,
exciting—and funny; Laura Halzack, beautiful, elegant, balletic, with a new
forcefulness that makes her seem less of a lovely exception to the rule and
more an exemplar of the rule; sassy, quick, daring Michelle Fleet … the list
goes on. What McGinley gives us is a potential successor to the most thrilling
of Taylor’s recent crop of stars, Annmaria Mazzini, whose reckless daring was
sometimes nearly unbearable to watch. (Her hips eventually paid the price.)
Watching McGinley in, say, Mazzini’s role in the wild rush of _Syzygy _was to
feel that life as we know it may still go on.
Every great dance company, ...